Genre បែប,របៀប yearning ចង់បានយ៉ាងខ្លាំង glamour ភាពស្រស់បំព្រង
Seamier ខ្ពើមរអើម befell កើតមានឡើង alcoholics មនុស្សប្រមឹក
Depict ព៌ណនា chronicle សរសេរសាវតា manipulating ការចាត់ចែង
Quest ស្វែងរក dismal សោកសៅ,គួរអោយសង្វេគ
sanatorium កន្លែងព្យាបាលរោគនិងបំប៉នសុខភាព peril គ្រោះថ្នាក់,ហានិភ័យ
Theodore Dreiser, the American author best known for the
novel Sister Carrie (1912), introduced a powerful style of writing that had a
profound influence on the writers that followed him, from Steinbeck to
Fitzgerald and Hemingway. It was in Sister Carrie that Theodore Dreiser created
a fictional account that laid bare the harsh reality of life in the big city
and in which Dreiser established himself as the architect of a new genre.
Dreiser was born in 1871 into a
large family whose fortunes had in the recent past taken a dramatic turn for
the worse. Before Theodore’s birth, his father had built up a successful
factory business only to loss it to a fire. The family was rather abruptly
thrust into poverty, and Theodore spent his youth moving from place to place in
the Midwest as the family tried desperately to reestablish itself financially.
He left home at the age of sixteen. After earning some money, he spent a year
at Indiana University but left school
and returned to Chicago, yearning for
the glamour and excitement that it offered. At the age of twenty-two, he began
work as a reporter for a small newspaper in Chicago, the Daily Globe, and later
worked on newspapers in Pittsburgh, Cleveland, Saint Louis, and New York City.
In his work as a reporter, he was witness to the seamier
side of life and was responsible for recording events that befell the less fortunate in the city, the
beggars, the alcoholics, the prostitutes, and the working poor.
Dreiser first tried his hand at
fiction by writing short stories rather than novels, and the first four short
stories that he wrote were published. Based on this, he was encouraged to write
a novel that would accurately depict
the harsh life of the city, and the novel Sister Carrie was the result of his effort.
This novel chronicles the life of
Carrie Meeber, a small town girl who goes to Chicago in a quest for fame and
fortune. As Carrie progresses from factory worker to Broadway star by manipulating anyone in her path, Dreiser sends
a clear message about the tragedy of life that is devoted purely to the quest for money.
Sister Carrie, unfortunately for
Dreiser, did not achieve immediate success. The novel was accepted for
publication by Doubleday, but Dreiser was immediately asked to make major
revisions to the novel. When Dreiser refused to make the revisions, Doubleday
published only a limited number of copies of the book and refused to promote or
advertise it. Published in limited release and without the backing of the
company, the novel was a dismal failure,
selling fewer than 500 copies.
After the failure of the novel that
was so meaningful to him, Dreiser suffered a nervous breakdown; he was
depressed, stricken with severe headaches, and unable to sleep for days on end.
Having sunk to a point where he was considering suicide, he was sent by his
brother to a sanatorium in White
Plains, New York, where he eventually recovered. After leaving the sanatorium,
he took a position as an editor for Butterick’s. He was successful in this
position, and was eventually able to purchase a one-third interest in a new
publishing company, B. W. Dodge, which republished Dreiser’s novel Sister
Carrie. This new release of the novel proved considerably more successful than
the first release had been. In its first year, the reissued version of Sister
Carrie sold 4,500 copies, with strong reviews, and the next year it sold more
than 10,000 copies. The recognition that accompanied the success of the novel
was based not only on the power of the description of the perils of urban life but also on the new trend
in literature that Dreiser was credited with establishing.
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